Promozzjoni tal-ġeneratur tar-reklami UGC

Staqsini għal: l-isem tal-prodott u wegħda ta' linja waħda, 3 sa 5 mumenti tal-UI biex nuri, kulur wieħed ta' aċċent, 10 sa 20 klipp vertikali reali li għandi, u kanzunetta ħielsa mir-royalties b'ċar drop (eż. Mixkit, bla ħlas għal użu kummerċjali).

Minimali ta' kwalità għolja. Idea waħda għal kull xutt, ħafna spazju vojt, kulur wieħed ta' aċċent, sans (Geist jew Inter) nadif wieħed b'tracking preċiż. Rivelazzjonijiet tat-tip b'maskri, match cuts, lingwaġġ wieħed bla xkiel tal-kamera. Filmati reali biss, qatt karti placeholder. L-ebda punti sħaħ fit-test fuq l-iskrin.
Projbiti: ċrieki ta' xokk, tifqigħat ta' partiċelli, qasma RGB, tħawwid tal-kamera, lentijiet qawwija, tiddix neon, pavimenti tal-grilja, sfondi li jteptep, bouncy easing.

10 bars b'120 BPM, 2 sekondi kull wieħed.
Bar 1: il-ganċ jinżel kelma b'kelma fuq it-taħbitiet.
Bar 2: kelma waħda ganċ tinbidel fl-UI tal-prodott. Kursur jittajpja u jikklikkja.
Il-qatra: ċirku jinfetaħ mill-buttuna f'xena mudlama.
Imbagħad mossa waħda għal kull bar: ħajt ta' klipps reali b'linja ta' skennjar u 3 rebbieħa, l-output ewlieni bħala tipa kbira, karużell 3D ta' vidjows reali b'riflessjonijiet fuq l-art u frosta mċajpra bil-moviment fuq klipp wieħed tal-eroj, l-eroj f'telefon ħdejn panel li jinqaleb f'riżultati, statistika kbira fuq push cuts, ticker ta' 3 kelmiet, żvelar tal-logo, fade għal iswed.

1. Fajl HTML wieħed b'riżoluzzjoni ta' 1920x1080. Kull stil huwa kkalkulat mill-ħin ġewwa
http://
window.seek(t): l-ebda animazzjonijiet CSS, l-ebda timers, l-ebda stat bejn il-frejms.
2. Vidjow reali: oħroġ il-klipps għal sekwenzi JPEG ta' 30fps bl ffmpeg u ibdel is-sorsi tal-immaġini għal kull frejm. It-tfittxija tistenna d-dekodifikazzjoni tal-immaġini.
3. Analizza l-kanzunetta b'numpy: tempo, beat grid, enerġija għal kull bar, id-drop. Ikkalibra l-grid għall-kick hits reali. Kull cut joqgħod fuq downbeat, kull UI hit fuq beat.
4. Irrendi Playwright: 3 subframes għal kull frame f't minus, f't, u plus 1/240s, imbagħad ħallat ma' ffmpeg tmix għal motion blur reali b'60fps.
5. Poġġi kull effett tal-ħoss sabiex il-quċċata mkejla tiegħu, mhux il-bidu tal-fajl tiegħu, taqa' fuq l-avveniment. Żomm l-effetti kwieti taħt il-mużika. Loudnorm għal -14 LUFS.
6. Iċċekkja 20 frejm jew aktar qabel ir-rendering sħiħ. Irranġa kwalunkwe ħaġa imbarazzata, li tirkeb fuq xulxin jew li hija diffiċli biex tinqara.

Qatt m'għandek tissettja opaċità jew filtru fuq element preserve-3d, għax dan jiċċattja u ż-żewġ uċuħ jidhru. Minflok, ħassar il-wrapper tiegħu. Kejjel il-pożizzjonijiet tal-elementi waqt ir-runtime għal match cuts. Uża biss mużika u effetti tal-ħoss li l-liċenzja tagħhom tippermetti użu kummerċjali.

Staqsini għall-inputs, imbagħad urini storyboard b'kull ħin fuq il-beat grid qabel ma tikteb xi kodiċi.

Ask me for: the product name and a one-line promise, 3 to 5 UI moments to show, one accent color, 10 to 20 real vertical clips I own, and a royalty-free song with a clear drop (e.g. Mixkit, free for commercial use).

High-end minimal. One idea per shot, lots of empty space, one accent color, one clean sans (Geist or Inter) with tight tracking. Masked type reveals, match cuts, one smooth camera language. Real footage only, never placeholder cards. No full stops in on-screen text.
Banned: shockwave rings, particle bursts, RGB split, camera shake, lens flares, neon glows, grid floors, flashing backgrounds, bouncy easing.

10 bars at 120 BPM, 2 seconds each.
Bar 1: the hook lands word by word on the beats.
Bar 2: one hook word morphs into the product UI. A cursor types and clicks.
The drop: a circle opens out of the button into a dark scene.
Then one move per bar: a wall of real clips with a scan line and 3 winners, the key output as big type, a 3D carousel of real videos with floor reflections and a motion-blurred whip onto one hero clip, the hero in a phone next to a panel that flips into results, big stats on push cuts, a 3-word ticker, a logo reveal, a fade to black.

1. One HTML file at 1920x1080. Every style is computed from time inside
http://
window.seek(t): no CSS animations, no timers, no state between frames.
2. Real video: extract clips to 30fps JPEG sequences with ffmpeg and swap img sources per frame. seek awaits the image decodes.
3. Analyze the song with numpy: tempo, beat grid, energy per bar, the drop. Calibrate the grid to the real kick hits. Every cut sits on a downbeat, every UI hit on a beat.
4. Render with Playwright: 3 subframes per frame at t minus, at, and plus 1/240s, then blend with ffmpeg tmix for real motion blur at 60fps.
5. Place each sound effect so its measured peak, not its file start, lands on the event. Keep the effects quiet under the music. Loudnorm to -14 LUFS.
6. Probe 20 or more frames before the full render. Fix anything cluttered, overlapping or hard to read.

Never set opacity or filter on a preserve-3d element, because it flattens and both faces show. Fade its wrapper instead. Measure element positions at runtime for match cuts. Only use music and sound effects whose license allows commercial use.

Ask me for the inputs, then show me a storyboard with every timing on the beat grid before you write any code.

Prompt meħud minn post @twoclipping.