Iphromo yesayithi Prompt Motion

Ngibuze: i-URL yegalari (okuzenzakalelayo www.prompt-motion.com/), okufakiwe okukodwa okunesicelo sakho
iboniswa esikrinini, kanye nethrekhi engenamali engaba ngu-120 BPM ene-drop ecacile (isb. i-Mixkit).

Iphromoshini yamasekhondi angu-23 engu-16:9 yegalari yamavidiyo ashukumayo enziwe Claude, eyakhiwe kuphela ngesayithi uqobo:
Isihloko sayo sangempela, igridi yayo yangempela yokubuka kuqala okuzenzakalelayo, ikhasi layo lokungena langempela kanye nesaziso.
Sebenzisa isikhumba sesayithi: ikhasi eliseduze nelimhlophe, amaphilisi amnyama, ifonti eyodwa ye-UI (Geist), kanye Geist Mono ukuze uthole umbhalo osheshayo.
I-accent eyodwa (ebomvu-orenji #F0442C), isetshenziselwa kuphela i-highlighter, i-cursor halo kanye nechashazi ku-URL.
Ikhamera eyodwa eqhubekayo phezu kwesendlalelo esisodwa "somhlaba". Azikho ikhamera ezimbili ezihambayo ngesikhathi esisodwa.
Isiqeshana ngasinye esikrinini sine-@handle yomdali waso, njengoba nje isayithi likubonisa.
Kuvinjelwe: inkinobho ethi "Khiqiza" noma yisiphi isici isayithi elingenaso, izinombolo ezisungulwe, okuchazwe ngenye indlela
imigqa yethegi, ukufiphala kukho konke, amakhadi engilazi, ama-gradients, uhlobo lokugxumagxuma, ukubamba okungafi.

120 BPM, ama-beats angu-46.
b0–2: uhlaka 0 luyi-reel eyodwa yangempela, egcwele igazi. Ikhamera iyahlehla kuze kube yilapho sekuyiyo yokuqala
ikhadi ekhasini lasekhaya lesayithi. Isihloko, bese kuba yingxenye yokuqala yomugqa wethegi, sifika ku-b1.
b2–9: bamba ekhasini elibukhoma: isihloko kanye nokwakhiwa kwamakholomu amathathu okubuka kuqala kokudlala.
b9–13: igridi iyaskrola, bese ikhamera ishaya ithayela elilodwa ize igcwale igazi.
b13–16: umculo uyaphela. Ama-reel amathathu aphelele avela kugalari, elilodwa lishaya ngalinye, ama-hard cuts,
ngalinye line-chip yesibambo esimnyama ngaphakathi kwendawo ephephile.
b16–21: isondo lokugcina libuyela emuva kuthayela lalo (ukusika okufana nomdlalo). Isikhombisi esinophawu lwe-accent
ihambisa ithayela bese iyachofoza.
b21–26: ukuthi ithayela liqhakaza ekhasini lokungena: ividiyo ngakwesobunxele; umbhali, isihloko,
Imodeli / I-Stack / Ithunyelwe kanye nesaziso ngakwesokudla.
b26–32: ikhamera icindezela u-1.5× ku-prompt ngenkathi ividiyo iphuma. I-highlighter enamandla yokugqamisa
isusa umusho owodwa. Isikhombisi sicindezela u-Kopisha, okuphenduka kube "Okukopishiwe".
b32–46: ikhasi lishelela ngakwesobunxele. Iphilisi "Elikopishiwe" liyaphakama, liphinde lilebule ku-URL kanye nama-docks.
Bese kuba " Prompt Motion " kanye nezingxenye zombili zomhlaba we-tagline, kanye nomugqa wamathayili wangempela
iphakama ngakwesokudla. Uhlaka lokugcina yiphosta: amathayili amabili aphelele, zombili izibambo ziyabonakala.

1. Remotion, 1920x1080, ama-fps angu-30. I-cue ngayinye ihlala ku-timeline.ts (kuma-beats) kanye ne-string ngayinye ku-copy.ts.
Izigcawu azinazo izinombolo zomlingo.
2. Sula isayithi kuqala: umugqa wethegi, izibambo, ama-avatar, ukubuka kuqala ama- MP4 namavidiyo aphelele, kanye neyodwa
isikhuthazo sokungenela. Caphuna konke njengoba kunjalo.
3. Beka igalari uma usufikile emhlabeni. Shayela ikhamera njengo (focus x, focus y,
(imigqa ye-log-scale). Irediyasi yekona yethayili iya ku-0 njengoba ithayili lifinyelela ekujuleni kwegazi, ngakho-ke
ukudonswa emuva, i-whip-in kanye ne-match-cut back konke kufana ncamashi.
4. Ithayela elidlala ngaphambi kokuqhuma lisebenzisa ifayela elifanayo le-full-res eline-offset startFrom,
ngakho-ke isiswebhu siwela ohlakeni lokuqala lokuqhuma.
5. Ama MP4 okubuka kuqala awahambi ngendlela ehlanzekile, futhi amaningi aqukethe ama-hard cuts. Sebenzisa i-scdet kuzo zonke iziqeshana.
Faka amafasitela kuphela angasikiwe ngaphakathi, anezinhlayiya ezingu-12 ezincibilikayo emthungweni, bese ugoba
isigaba sethayela ngalinye ukuze amathayela angomakhelwane angashintshi kufreyimu efanayo.
6. Sebenzisa ikhesa elilodwa elihlala endaweni yenkinobho ebukhoma, ngoba ikhamera iyaqhubeka nokuzulazula
ngesikhathi sokuphumula.
7. Vumelanisa ithrekhi ibe yi-120 BPM ngokuncipha kwayo ekuqhumeni. Beka i-SFX ngokweziqongo zayo ezilinganisiwe.
Gcwalisa amakhefu ethrekhi ngokwawo ngama-whooshes aguquliwe angene kuma-hits. Hlanganisa ku-−14 LUFS.
8. Yenza izithombe ezimile kuzo zonke iziqephu ngaphambi kokwenza isithombe esigcwele. Sebenzisa i-QA ukuze uthole isikhathi esiqandisiwe kanye neziqephu zohlaka olulodwa.
Bese kuba nomgxeki omusha ongazange ayakhe ukuthi abukeze i-render, bese elungisa lokho akutholayo.

Iziqeshana zegalari zangempela zine-HUDs zazo, izikhombisi kanye nokusika. Gcina izimbozo (izibambo ze-handle, isikhombisi sethu)
susa kuzo, futhi ungabeki isiqeshana esinzima noma kuphi lapho uhlaka kufanele luzizwe luzolile.
Uma umbala wekhasi ufana nesizinda sesiqeshana, ithayela liyanyamalala; nika amathayela umugqa wezinwele ongu-1px.
Uma ucindezela ikhamera, hlola uhlaka lokugcina: i-header kanye ne-meta rows zingangena emabhendini onqenqema.

Ask me for: the gallery URL (default www.prompt-motion.com/), one entry whose prompt
gets shown on screen, and a royalty-free track around 120 BPM with a clear drop (e.g. Mixkit).

A 23-second 16:9 promo for a gallery of Claude-made motion videos, built only from the site itself:
its real header, its real grid of autoplaying previews, its real entry page and prompt.
Use the site's skin: near-white page, black pills, one UI font (Geist), and Geist Mono for prompt text.
One accent (red-orange #F0442C), used only for the highlighter, the cursor halo and the dot on the URL.
One continuous camera over a single "world" layer. Never two camera moves at once.
Every clip on screen carries its creator's @handle, exactly as the site shows it.
Banned: a "Generate" button or any feature the site doesn't have, invented numbers, paraphrased
taglines, fades on everything, glass cards, gradients, bouncy type, dead holds.

120 BPM, 46 beats.
b0–2: frame 0 is one real reel, full-bleed. The camera pulls back until it is just the first
  card on the site's home page. The header, then the tagline's first half, land on b1.
b2–9: hold on the live page: header plus a 3-column masonry of playing previews.
b9–13: the grid scrolls, then the camera whips into one tile until it is full-bleed.
b13–16: the music drops. Three full-res reels from the gallery, one beat each, hard cuts,
  each with a dark handle chip inside the safe area.
b16–21: the last reel shrinks back into its own tile (a match cut). A cursor with an accent halo
  hovers a tile and clicks.
b21–26: that tile blooms into its entry page: the video on the left; author, title,
  Model / Stack / Posted and the prompt on the right.
b26–32: the camera pushes 1.5× into the prompt while the video slides out. A solid accent highlighter
  sweeps one phrase. The cursor presses Copy, which turns into "Copied".
b32–46: the page slides off left. The "Copied" pill lifts, relabels to the URL and docks.
  Then "Prompt Motion" and both verbatim halves of the tagline land, and a rail of real tiles
  rises on the right. The last frame is the poster: two whole tiles, both handles visible.

1. Remotion, 1920x1080, 30 fps. Every cue lives in timeline.ts (in beats) and every string in copy.ts.
   Scenes contain no magic numbers.
2. Scrape the site first: tagline, handles, avatars, preview MP4s and full-res videos, plus one
   entry's prompt. Quote all of it verbatim.
3. Lay out the gallery once in world coordinates. Drive the camera as (focus x, focus y,
   log-scale) tracks. Tile corner radius goes to 0 as a tile reaches full-bleed, so the
   pull-back, the whip-in and the match-cut back are all exact.
4. A tile that plays before the burst uses the same full-res file with an offset startFrom,
   so the whip lands on the burst's first frame.
5. The preview MP4s don't loop cleanly, and many contain hard cuts. Run scdet on every clip.
   Loop only windows with no cut inside them, with a 12-frame dissolve at the seam, and stagger
   each tile's phase so neighbouring tiles never change on the same frame.
6. Use one cursor that homes on the live button position, because the camera keeps creeping
   during holds.
7. Conform the track to 120 BPM with its drop on the burst. Place SFX by their measured peaks.
   Fill the track's own breaks with reversed whooshes into the hits. Mix to −14 LUFS.
8. Render stills at every cut before a full render. Run QA for frozen time and one-frame snaps.
   Then have a fresh critic who didn't build it review the render, and fix what it finds.

Real gallery clips carry their own HUDs, cursors and cuts. Keep overlays (handle chips, our cursor)
clear of them, and don't put a cut-heavy clip anywhere the frame should feel calm.
If the page color matches a clip's background, the tile disappears; give tiles a 1px hairline.
On a camera push, check the last frame: the header and meta rows can drift into the edge bands.

Isaziso sithathwe ku- okuthunyelwe @antonio_kodheli.