Intengiso yesiza Prompt Motion

Ndibuze: i-URL yegalari (engagqibekanga www.prompt-motion.com/), inqaku elinye elinomyalezo walo
iboniswa kwiscreen, kwaye ithrekhi engenamali ejikeleze i-120 BPM enethontsi elicacileyo (umz. iMixkit).

Ipromo yemizuzwana engama-23 ye-16:9 yegalari yeevidiyo ezishukumayo ezenziwe Claude, eyakhiwe kuphela kwiwebhusayithi ngokwayo:
I-header yayo yokwenyani, igridi yayo yokwenyani yokudlala kwangaphambili, iphepha layo lokungena kunye ne-prompt.
Sebenzisa ulusu lwesiza: iphepha elimhlophe kufutshane, iipilisi ezimnyama, ifonti enye ye-UI (Geist), kunye Geist Mono ukuze ufumane umbhalo okhawulezileyo.
I-accent enye (ebomvu-orenji #F0442C), isetyenziselwa kuphela i-highlighter, i-cursor halo kunye nechaphaza kwi-URL.
Ikhamera enye eqhubekayo phezu komaleko omnye "wehlabathi". Akukho khamera zimbini ezihamba ngaxeshanye.
Ikliphu nganye kwisikrini ine-@handle yomdali wayo, kanye njengoko iwebhusayithi ibonisa.
Ivaliwe: iqhosha elithi "Yenza" okanye naluphi na uphawu olungenalo indawo, iinombolo eziqanjiweyo, zichazwe ngamanye amazwi
imigca yethegi, iyafiphala kuyo yonke into, amakhadi eglasi, iigradients, uhlobo lokutsiba, ii-dead holds.

I-120 BPM, iibethi ezingama-46.
b0–2: ifreyimu 0 yireyile enye yokwenyani, egcwele igazi. Ikhamera iyarhoxa ide ibe yeyokuqala
ikhadi kwiphepha lasekhaya lesiza. Isihloko, emva koko umgca wethegi yokuqala, ziwela ku-b1.
b2–9: bambelela kwiphepha elibukhoma: i-header kunye nomfanekiso wobugcisa obunemiqolo emi-3 wokubukela kwangaphambili.
b9–13: igridi iyaskrola, emva koko ikhamera iyayitshintsha ibe yithayile enye ide igcwale.
b13–16: umculo uyaphela. Iireyile ezintathu ezipheleleyo ezivela kwigalari, enye ibethwa nganye, ii-hard cuts,
nganye inesiphene esimnyama ngaphakathi kwindawo ekhuselekileyo.
b16–21: i-reel yokugqibela ibuyela kwithayile yayo (ukusika okufana nomdlalo). Isikhombisi esine-halo ye-accent
ijikeleza itayile ize icofe.
b21–26: loo thayile iqhakaza kwiphepha layo lokungena: ividiyo ekhohlo; umbhali, isihloko,
Imodeli / Isitayile / Iposiwe kunye nesilumkiso ngasekunene.
b26–32: ikhamera ityhala i-1.5× kwisilumkiso ngelixa ividiyo iphuma. I-highlighter eqinileyo ye-accent
itshixa ibinzana elinye. Isikhombisi sicinezela i-Copy, ejika ibe yi-"Copied".
b32–46: iphepha lityibilika lisuka ngasekhohlo. Ipilisi ethi "Ikopishwe" iyaphakama, ifake iilebheli kwi-URL nakwi-docks.
Emva koko " Prompt Motion " kunye neziqingatha zomhlaba wethegi, kunye nomzila weethayile zokwenyani
iphakama ngasekunene. Isakhelo sokugqibela yipowusta: iithayile ezimbini ezipheleleyo, zombini izibambo ziyabonakala.

1. Remotion, 1920x1080, 30 fps. I-cue nganye ihlala kwi-timeline.ts (kwii-beats) kwaye yonke i-string ikwi-copy.ts.
Imiboniso ayinamanani omlingo.
2. Coca isayithi kuqala: umgca wethegi, izibambo, ii-avatar, ukujonga kwangaphambili ii- MP4 kunye neevidiyo ezipheleleyo, kunye nenye
isindululo sokungena. Caphula yonke into ngokuchanekileyo.
3. Beka igalari xa sele ikwii-coordinates zehlabathi. Qhuba ikhamera njenge (focus x, focus y,
iitrekhi ze-log-scale). Irediyasi yekona yethayile iya kwi-0 njengoko ithayile ifikelela kwi-full-blood, ngoko ke
ukutsala umva, i-whip-in kunye ne-match-cut back zonke zichanekile.
4. Ithayile edlala ngaphambi kokuba kuqhume isebenzisa ifayile efanayo ye-full-res ene-offset startFrom,
ngoko ke i-whip iwela kwisakhelo sokuqala sokuqhuma.
5. Ii MP4 zokujonga kwangaphambili azijikelezi kakuhle, kwaye ezininzi ziqulathe amaqhekeza aqinileyo. Sebenzisa i-scdet kwikliphu nganye.
Zijike iifestile kuphela ezingenazikhewu ngaphakathi, kunye ne-frame ezili-12 ezinyibilikisiweyo kumthungo, uze uzijike
isigaba sethayile nganye ukuze iithayile ezikufutshane zingatshintshi kwifreyimu enye.
6. Sebenzisa isalathisi esinye esihlala kwindawo yeqhosha elibukhoma, kuba ikhamera iyaqhubeka nokurhubuluza
ngexesha lokulinda.
7. Lungisa ithrekhi ibe yi-120 BPM kunye nokuhla kwayo kwi-burst. Beka i-SFX ngokweencochoyi zayo ezilinganisiweyo.
Zalisa ikhefu lengoma ngee-whooshes eziguqulweyo kwiingoma ezidumileyo. Xuba ukuya kwi-−14 LUFS.
8. Yenza imifanekiso yokulinganisa (render stills) kuyo yonke indawo ngaphambi kokuba i-render epheleleyo. Sebenzisa i-QA ukuze ufumane ixesha eliqandisiweyo kunye ne-one-frame snaps.
Emva koko cela umgxeki omtsha ongazange ayakhe ukuba ahlole irender, aze alungise oko akufumanayo.

Iikliphu zegalari zokwenyani zine-HUDs zazo, ii-cursors kunye nee-cuts. Gcina ii-overlay (i-handle chips, i-cursor yethu)
Zisuse, kwaye ungabeki ikliphu enzima naphi na apho ifreyimu ifanele ivakale izolile.
Ukuba umbala wephepha uhambelana nemvelaphi yekliphu, ithayile iyanyamalala; nika iithayile umgca weenwele we-1px.
Xa ucofa ikhamera, jonga ifreyimu yokugqibela: i-header kunye ne-meta rows zinokungena kwiibhendi zomphetho.

Ask me for: the gallery URL (default www.prompt-motion.com/), one entry whose prompt
gets shown on screen, and a royalty-free track around 120 BPM with a clear drop (e.g. Mixkit).

A 23-second 16:9 promo for a gallery of Claude-made motion videos, built only from the site itself:
its real header, its real grid of autoplaying previews, its real entry page and prompt.
Use the site's skin: near-white page, black pills, one UI font (Geist), and Geist Mono for prompt text.
One accent (red-orange #F0442C), used only for the highlighter, the cursor halo and the dot on the URL.
One continuous camera over a single "world" layer. Never two camera moves at once.
Every clip on screen carries its creator's @handle, exactly as the site shows it.
Banned: a "Generate" button or any feature the site doesn't have, invented numbers, paraphrased
taglines, fades on everything, glass cards, gradients, bouncy type, dead holds.

120 BPM, 46 beats.
b0–2: frame 0 is one real reel, full-bleed. The camera pulls back until it is just the first
  card on the site's home page. The header, then the tagline's first half, land on b1.
b2–9: hold on the live page: header plus a 3-column masonry of playing previews.
b9–13: the grid scrolls, then the camera whips into one tile until it is full-bleed.
b13–16: the music drops. Three full-res reels from the gallery, one beat each, hard cuts,
  each with a dark handle chip inside the safe area.
b16–21: the last reel shrinks back into its own tile (a match cut). A cursor with an accent halo
  hovers a tile and clicks.
b21–26: that tile blooms into its entry page: the video on the left; author, title,
  Model / Stack / Posted and the prompt on the right.
b26–32: the camera pushes 1.5× into the prompt while the video slides out. A solid accent highlighter
  sweeps one phrase. The cursor presses Copy, which turns into "Copied".
b32–46: the page slides off left. The "Copied" pill lifts, relabels to the URL and docks.
  Then "Prompt Motion" and both verbatim halves of the tagline land, and a rail of real tiles
  rises on the right. The last frame is the poster: two whole tiles, both handles visible.

1. Remotion, 1920x1080, 30 fps. Every cue lives in timeline.ts (in beats) and every string in copy.ts.
   Scenes contain no magic numbers.
2. Scrape the site first: tagline, handles, avatars, preview MP4s and full-res videos, plus one
   entry's prompt. Quote all of it verbatim.
3. Lay out the gallery once in world coordinates. Drive the camera as (focus x, focus y,
   log-scale) tracks. Tile corner radius goes to 0 as a tile reaches full-bleed, so the
   pull-back, the whip-in and the match-cut back are all exact.
4. A tile that plays before the burst uses the same full-res file with an offset startFrom,
   so the whip lands on the burst's first frame.
5. The preview MP4s don't loop cleanly, and many contain hard cuts. Run scdet on every clip.
   Loop only windows with no cut inside them, with a 12-frame dissolve at the seam, and stagger
   each tile's phase so neighbouring tiles never change on the same frame.
6. Use one cursor that homes on the live button position, because the camera keeps creeping
   during holds.
7. Conform the track to 120 BPM with its drop on the burst. Place SFX by their measured peaks.
   Fill the track's own breaks with reversed whooshes into the hits. Mix to −14 LUFS.
8. Render stills at every cut before a full render. Run QA for frozen time and one-frame snaps.
   Then have a fresh critic who didn't build it review the render, and fix what it finds.

Real gallery clips carry their own HUDs, cursors and cuts. Keep overlays (handle chips, our cursor)
clear of them, and don't put a cut-heavy clip anywhere the frame should feel calm.
If the page color matches a clip's background, the tile disappears; give tiles a 1px hairline.
On a camera push, check the last frame: the header and meta rows can drift into the edge bands.

Isaziso sithathwe kwi iposi @antonio_kodheli.