Sozlanmoqda: To'q sariq nuqta harakat tizimi

Mendan so'rang: ochilish tugmasi uchun qisqa yorliq, bitta qahramon so'zi, grafik uchun foiz, yakuniy karta uchun matn, bitta urg'u rangi va aniq ritmli trek.

16:9 o'lchamdagi 2D harakatli dizayn filmi. Issiq, oq-qora tuval, deyarli qora fon, qalin tipografiya va bitta yorqin to'q sariq rangli aksentdan foydalaning. To'q sariq nuqta har bir sahnani bog'laydi: u UIda boshlanadi, harf ustidagi nuqtaga aylanadi, prujina grafigini chizadi, shaklga aylanadi va oxirgi kartada qaytadi. Kursor ochilish chertishini haqiqiy his qiladi. Harakatni aniq va boshqariladigan holda saqlang, kichik prujinali o'simtalar va o'lik vaqt yo'q.
Taqiqlangan: stokdagi kadrlar, gradyentlar, porlashlar, zarrachalar portlashlari, tasodifiy o'tishlar va ekranda allaqachon mavjud bo'lgan elementga bog'liq bo'lmagan harakat.

Taxminan 15 soniya, har bir asosiy ritmda vizual o'zgarish bilan.
Ochish: kursor "Harakatni kamaytirish" yonidagi to'q sariq tugmani bosadi. Harflar egilib, faqat "Harakat" qolguncha joyiga siljiydi, to'q sariq nuqta "i" harfi ustida bo'ladi.
Bahor: nuqta so'zdan uzoqlashadi va grafikka tushadi. Uning yo'li prujina reaksiyasini chizadi, nishondan oshib o'tadi va "+22%" chaqiruvi yoniga joylashadi.
Shakl: nuqta chiziq bo'ylab o'sib, to'q sariq doiraga aylanadi va kadrni to'ldiradi. Qora yumaloq kvadrat uning ichida aylanadi, keyin esa shaklga aylanadi. Sahna qora rangdagi bitta to'q sariq nuqtaga qisqaradi.
Turi: "SPRINGS", "EASING", "KINETIC TYPE", "3D" va "SOUND" kabi so'zlar nuqta atrofida aylanadi. Turi doirasi mayda nuqtalar maydoniga ochiladi.
Ochish: yarim tonna maydoni kengayadi va qora rangga aylanadi, natijada oxirgi karta paydo bo'ladi: " Opus 5.5 ", "Motion designer." va "0 keyframes".
Qaytish: to'q sariq nuqta yarim ton, grafik va almashtirish tugmasi orqali orqaga qaytadi. Video toza takrorlanishi uchun oxirgi kadrni birinchi kadr bilan moslang.

1. Bitta HTML fayli, 1920x1080, 60 kadr/s tezlikda. seek(t) ichidagi vaqtdan boshlab har bir vizualni hisoblang: freymlar orasida CSS o'tishlari, taymerlar yoki holat o'tkazilmaydi.
2. O'tish, sakrash nuqtasi va grafik uchun yopiq shakldagi prujinalardan foydalaning. Nuqtani harakatlantiradigan bir xil prujina funksiyasidan grafikni chizing.
3. "Harakatni kamaytirish"dan "Harakat"ga o'tish uchun harflarni alohida-alohida jonlantiring. "i" harfi sakrashni boshlaguncha unga biriktirilgan to'q sariq nuqtani saqlang.
4. To'q sariq doira yasang, kvadratni aylantiring va bir xil shakldagi turli holatlarni chizing. Har bir o'zgarishda uning o'rni va harakatini saqlang.
5. Orbitada aylanayotgan so'zlarni aylana bo'ylab joylashtiring, so'ngra ularning harflarini tashqariga siljitib, kadrni yarim tonli panjaraga o'tkazing.
6. Yarim tonni to'q sariq nuqtaga mos keladigan nuqtalar panjarasi sifatida chizing. Oxirgi kartani ochishdan oldin, uni ramka chetlaridan o'sib chiqing.
7. Bosish, nuqta qo'nish, grafik cho'qqisi, shakl o'zgarishi va yakuniy sarlavhani o'lchangan zarbalar bilan sinxronlashtiring. To'liq eksport qilishdan oldin tezlikni tekshirish uchun har bir zarba uchun bitta kadrni renderlang.

Grafik va nuqta bir xil harakatni bajarishi kerak, aks holda prujina soxta ko'rinadi. To'q sariq rangli aksentni har bir sahnada bir xil saqlang. Harflar bir-birining ustiga chiqmasligi uchun chiquvchi va kiruvchi matnlarni alohida vaqtga qo'ying. Shakl ekranni to'ldirganda, uni to'rtta burchakdan tashqariga masshtablang. Ilgakning qoqilib ketishining oldini olish uchun birinchi va oxirgi kadrdagi kursorni, nuqtani va tipografiyani moslang.

To'liq videoni yaratishdan oldin mendan ma'lumotlarni so'rang, keyin ritm xaritasini va to'rtta suratni (almashtirish, grafik, kinetik tip, yakuniy karta) ko'rsating.

Ask me for: a short label for the opening toggle, one hero word, a percentage for the graph, the text for the final card, one accent color, and a track with a clear beat.

A 2D motion design film in 16:9. Use a warm off-white canvas, near-black backgrounds, bold typography and one vivid orange accent. The orange dot connects every scene: it starts in the UI, becomes the dot over a letter, traces a spring graph, grows into a shape and returns on the end card. A cursor makes the opening click feel real. Keep the motion sharp and controlled, with small spring overshoots and no dead time.
Banned: stock footage, gradients, glows, particle bursts, random transitions and motion that isn't connected to an element already on screen.

Around 15 seconds, with a visual change on every major beat.
Open: a cursor clicks the orange toggle beside "Reduce Motion". The letters bend and move into place until only "Motion" remains, with the orange dot above the "i".
Spring: the dot jumps away from the word and lands on a graph. Its path draws a spring response, overshoots the target and settles beside a "+22%" callout.
Shape: the dot shoots across a line, grows into an orange circle and fills the frame. A black rounded square rotates inside it, then stretches into a pill. The scene contracts to a single orange dot on black.
Type: words like "SPRINGS", "EASING", "KINETIC TYPE", "3D" and "SOUND" orbit the dot. The circle of type opens out into a field of tiny dots.
Reveal: the halftone field expands and flips to black, revealing the final card: "Opus 5.5", "Motion designer." and "0 keyframes".
Return: the orange dot moves back through the halftone, graph and toggle. Match the final frame to the first so the video loops cleanly.

1. One HTML file, 1920x1080 at 60fps. Compute every visual from time inside seek(t): no CSS transitions, timers or state carried between frames.
2. Use closed-form springs for the toggle, bouncing dot and graph. Draw the graph from the same spring function that moves the dot.
3. Animate letters individually for the "Reduce Motion" to "Motion" transformation. Keep the orange dot attached to the "i" until it begins its jump.
4. Make the orange circle, rotating square and pill different states of the same shape. Preserve its position and motion through each transformation.
5. Place the orbiting words along a circular path, then move their letters outward to hand the frame over to the halftone grid.
6. Draw the halftone as a grid of dots whose sizes respond to the orange dot. Let it grow past the frame edges before revealing the end card.
7. Sync the click, dot landing, graph peak, shape changes and final title to measured beats. Render one frame per beat to check the pacing before the full export.

The graph and dot must follow the same motion or the spring will feel fake. Keep the orange accent consistent across every scene. Give outgoing and incoming text separate timing so letters don't overlap. When a shape fills the screen, scale it past all four corners. Match the cursor, dot and typography in the first and last frames to avoid a loop stutter.

Ask me for the inputs, then show me the beat map and four stills (toggle, graph, kinetic type, end card) before building the full video.

So'rov olingan joy post @ultimaxbt.