Sozlanmoqda: Prompt Motion saytining reklamasi

Mendan so'rang: galereya URL manzili (standart www.prompt-motion.com/), bitta yozuv, uning so'rovi
ekranda ko'rsatiladi va taxminan 120 BPM tezlikda aniq pasayish bilan royaltisiz trek (masalan, Mixkit).

Claude tomonidan yaratilgan, faqat saytning o'zidan olingan 23 soniyali 16:9 nisbatli videolar galereyasi uchun reklama roligi:
uning haqiqiy sarlavhasi, avtomatik ijro etiladigan oldindan ko'rishlarning haqiqiy panjarasi, uning haqiqiy kirish sahifasi va taklifi.
Saytning tashqi ko'rinishidan foydalaning: deyarli oq sahifa, qora tabletkalar, bitta foydalanuvchi interfeysi shrifti (Geist) va tezkor matn uchun Geist Mono.
Bitta urg'u (qizil-to'q sariq #F0442C), faqat yoritgich, kursor halqasi va URLdagi nuqta uchun ishlatiladi.
Bitta "dunyo" qatlami ustida bitta uzluksiz kamera. Hech qachon bir vaqtning o'zida ikkita kamera harakatlanmaydi.
Ekrandagi har bir klip o'z yaratuvchisining @handle belgisini, saytda ko'rsatilganidek, olib yuradi.
Taqiqlangan: "Generate" tugmasi yoki saytda mavjud bo'lmagan har qanday funksiya, ixtiro qilingan raqamlar, qayta tarjima qilingan
shiorlar, hamma narsadagi xira ranglar, shisha kartochkalar, gradyentlar, sakrab turuvchi tip, o'lik tutqichlar.

120 BPM, 46 zarba.
b0–2: 0-kadr haqiqiy g'altak, to'liq qanotli. Kamera birinchi bo'lguncha orqaga tortiladi
saytning bosh sahifasida karta. Sarlavha, keyin shiorning birinchi yarmi b1 ga tushadi.
b2–9: jonli sahifani ushlab turing: sarlavha va o'yin oldindan ko'rishlarining 3 ustunli g'isht.
b9–13: panjara aylantiriladi, keyin kamera to'liq oq rangga kirguncha bitta plitka ichiga kiradi.
b13–16: musiqa pasayadi. Galereyadan uchta to'liq aniqlikdagi g'altak, har biri bittadan ritm, qattiq kesmalar,
har birida xavfsiz hudud ichida qora tutqichli chip bor.
b16–21: oxirgi g'altak o'z mozaikasiga qayta kichrayadi (gugurt kesimi). Urg'uli haloga ega kursor
plitkani olib yuradi va chertish tugmachalarini bosadi.
b21–26: plitka kirish sahifasiga kirib boradi: chapdagi video; muallif, sarlavha,
Model / Stack / Posted va o'ng tomonda ko'rsatma.
b26–32: kamera videoni tashqariga surayotgan paytda oynaga 1,5 marta bosadi. Mustahkam aksent yoritgichi
Kursor bitta iborani supuradi. Nusxalash tugmasini bosadi, bu esa "Nusxalandi" ga aylanadi.
b32–46: sahifa chapga siljiydi. "Nusxalangan" tabletka ko'tariladi, URL manziliga qayta yorliqlanadi va doklanadi.
Keyin " Prompt Motion " qo'shig'i va shiorning ikkala so'zma-so'z yarmi va haqiqiy plitkalar panjarasi
o'ng tomonda ko'tariladi. Oxirgi ramka plakat: ikkita butun plitka, ikkala tutqich ham ko'rinadi.

1. Remotion, 1920x1080, 30 kadr/s. Har bir ishora timeline.ts (ritmlarda) ichida va har bir tor copy.ts da yashaydi.
Sahnalarda sehrli raqamlar yo'q.
2. Avval saytni qirib tashlang: shior, yorliqlar, avatarlar, MP4 va to'liq aniqlikdagi videolarni oldindan ko'rib chiqing, bundan tashqari bitta
yozuvning so'rovi. Hammasini so'zma-so'z keltiring.
3. Galereyani dunyo koordinatalarida bir marta joylashtiring. Kamerani quyidagicha boshqaring (fokus x, fokus y,
log-masshtabli) treklar. Plitka to'liq oqimga yetganda, plitka burchagi radiusi 0 ga tushadi, shuning uchun
orqaga tortish, qamchilash va gugurt bilan kesilgan orqa tomonning barchasi aniq.
4. Burstdan oldin o'ynaladigan plitka startFrom ofsetli bir xil to'liq aniqlikdagi fayldan foydalanadi,
Shunday qilib, qamchi portlashning birinchi kadriga tushadi.
5. Oldindan ko'rish MP4 fayllari toza takrorlanmaydi va ko'pchiligida qattiq kesmalar mavjud. Har bir klipda scdet buyrug'ini ishga tushiring.
Faqatgina ichida kesilmagan, chokda 12 romli erituvchi va qoqilib ketadigan oynalarni ilmoqlang
har bir plitkaning fazasi, shuning uchun qo'shni plitkalar hech qachon bir xil ramkada o'zgarmaydi.
6. Kamera harakatlanishda davom etayotgani sababli, jonli tugma holatiga joylashgan bitta kursordan foydalaning
ushlab turish paytida.
7. Trekni portlash paytida tushishi bilan 120 BPM ga moslashtiring. SFX ni o'lchangan cho'qqilariga qarab joylashtiring.
Trekning o'z tanaffuslarini xitlarga teskari hushtaklar bilan to'ldiring. −14 LUFS gacha aralashtiring.
8. To'liq renderlashdan oldin har bir kesishda kadrlarni renderlang. Muzlatilgan vaqt va bir kadrli suratlar uchun QA ni ishga tushiring.
Keyin uni yaratmagan yangi tanqidchiga renderni ko'rib chiqish va topilgan xatolarni tuzatishni so'rang.

Haqiqiy galereya kliplari o'zlarining HUDlari, kursorlari va kesmalariga ega. Qoplamalar saqlang (chiplarni, kursorimizni boshqaring)
Ulardan uzoqroq turing va ramka tinch bo'lishi kerak bo'lgan joyga kesilgan og'ir qisqichni qo'ymang.
Agar sahifa rangi klipning foniga mos kelsa, plitka yo'qoladi; plitkalarga 1 pikselli chiziq bering.
Kamerani bosganingizda, oxirgi kadrni tekshiring: sarlavha va meta qatorlar chekka chiziqlarga siljishi mumkin.

Ask me for: the gallery URL (default www.prompt-motion.com/), one entry whose prompt
gets shown on screen, and a royalty-free track around 120 BPM with a clear drop (e.g. Mixkit).

A 23-second 16:9 promo for a gallery of Claude-made motion videos, built only from the site itself:
its real header, its real grid of autoplaying previews, its real entry page and prompt.
Use the site's skin: near-white page, black pills, one UI font (Geist), and Geist Mono for prompt text.
One accent (red-orange #F0442C), used only for the highlighter, the cursor halo and the dot on the URL.
One continuous camera over a single "world" layer. Never two camera moves at once.
Every clip on screen carries its creator's @handle, exactly as the site shows it.
Banned: a "Generate" button or any feature the site doesn't have, invented numbers, paraphrased
taglines, fades on everything, glass cards, gradients, bouncy type, dead holds.

120 BPM, 46 beats.
b0–2: frame 0 is one real reel, full-bleed. The camera pulls back until it is just the first
  card on the site's home page. The header, then the tagline's first half, land on b1.
b2–9: hold on the live page: header plus a 3-column masonry of playing previews.
b9–13: the grid scrolls, then the camera whips into one tile until it is full-bleed.
b13–16: the music drops. Three full-res reels from the gallery, one beat each, hard cuts,
  each with a dark handle chip inside the safe area.
b16–21: the last reel shrinks back into its own tile (a match cut). A cursor with an accent halo
  hovers a tile and clicks.
b21–26: that tile blooms into its entry page: the video on the left; author, title,
  Model / Stack / Posted and the prompt on the right.
b26–32: the camera pushes 1.5× into the prompt while the video slides out. A solid accent highlighter
  sweeps one phrase. The cursor presses Copy, which turns into "Copied".
b32–46: the page slides off left. The "Copied" pill lifts, relabels to the URL and docks.
  Then "Prompt Motion" and both verbatim halves of the tagline land, and a rail of real tiles
  rises on the right. The last frame is the poster: two whole tiles, both handles visible.

1. Remotion, 1920x1080, 30 fps. Every cue lives in timeline.ts (in beats) and every string in copy.ts.
   Scenes contain no magic numbers.
2. Scrape the site first: tagline, handles, avatars, preview MP4s and full-res videos, plus one
   entry's prompt. Quote all of it verbatim.
3. Lay out the gallery once in world coordinates. Drive the camera as (focus x, focus y,
   log-scale) tracks. Tile corner radius goes to 0 as a tile reaches full-bleed, so the
   pull-back, the whip-in and the match-cut back are all exact.
4. A tile that plays before the burst uses the same full-res file with an offset startFrom,
   so the whip lands on the burst's first frame.
5. The preview MP4s don't loop cleanly, and many contain hard cuts. Run scdet on every clip.
   Loop only windows with no cut inside them, with a 12-frame dissolve at the seam, and stagger
   each tile's phase so neighbouring tiles never change on the same frame.
6. Use one cursor that homes on the live button position, because the camera keeps creeping
   during holds.
7. Conform the track to 120 BPM with its drop on the burst. Place SFX by their measured peaks.
   Fill the track's own breaks with reversed whooshes into the hits. Mix to −14 LUFS.
8. Render stills at every cut before a full render. Run QA for frozen time and one-frame snaps.
   Then have a fresh critic who didn't build it review the render, and fix what it finds.

Real gallery clips carry their own HUDs, cursors and cuts. Keep overlays (handle chips, our cursor)
clear of them, and don't put a cut-heavy clip anywhere the frame should feel calm.
If the page color matches a clip's background, the tile disappears; give tiles a 1px hairline.
On a camera push, check the last frame: the header and meta rows can drift into the edge bands.

So'rov olingan joy post @antonio_kodheli.