UGC reklama generatorynyň reklamasy

Menden soraň: önümiň adyny we bir setirlik wadany, görkezilmeli 3-5 interfeýs pursatyny, bir aksent reňkini, meniňki bolan 10-20 hakyky dik klipi we aýdyň düşýän royaltisiz aýdymy (meselem, Mixkit, täjirçilik maksady bilen mugt).

Ýokary derejeli minimalizm. Her kadrda bir ideýa, köp boş ýer, bir aksent reňk, bir arassa sans (Geist ýa-da Inter) we berk yzarlaýyş. Maskaly görnüşler, gabat gelýän kesikler, bir ýumşak kamera dili. Diňe hakyky kadrlar, hiç haçan orun dolduryjy kartlar ýok. Ekrandaky tekstde nokatlar ýok.
Gadagan edilenler: şok tolkun halkalary, bölejikleriň partlamalary, RGB bölünmegi, kameranyň silkmegi, linzalaryň ýalpyldawuklygy, neon ýalpyldawuklygy, tor pollary, ýalpyldawuk fonlar, bökýän ýumşadyjylyk.

120 BPM tizlikde 10 takt, her biri 2 sekunt.
1-nji takt: çengel ritmlere sözme-söz goşulýar.
2-nji sütun: bir ylgaw sözi önümiň interfeýsine öwrülýär. Kursor ýazýar we basýar.
Düşüş: düwmeden bir tegelek garaňky sahna açylýar.
Soňra her bir takt üçin bir hereket: skanirleme çyzygy we 3 ýeňiji bolan hakyky klipleriň diwary, uly şrift hökmünde esasy çykyş, pol şöhlelenmeleri we bir gahryman klipine hereket bulanyşygy bolan hakyky wideolaryň 3D karuseli, netijelere öwrülýän paneliň ýanyndaky telefondaky gahryman, push kesişler boýunça uly statistika, 3 sözden ybarat tiker, logotipiň açylmagy, gara reňke öwrülmek.

1. 1920x1080 ölçegli bir HTML faýly. Her stil içindäki wagtdan hasaplanýar.
http://
window.seek(t): CSS animasiýalary ýok, taýmerler ýok, çarçuwalaryň arasynda ýagdaý ýok.
2. Hakyky wideo: klipleri ffmpeg bilen 30fps JPEG yzygiderliligine çykaryň we her kadr üçin img çeşmelerini çalşyň. gözleg şekiliň dekodlanmagyny garaşýar.
3. Aýdymy numpy bilen seljeriň: tempo, ritm tor, her taktdaky energiýa, düşüş. Tory hakyky tepme urgularyna görä sazlaň. Her kesilme aşaky ritmde, her UI urgusy ritmde durýar.
4. Playwright bilen render ediň: her kadr üçin t minus, at we plus 1/240s-da 3 kiçi kadr, soňra 60fps-da hakyky hereket bulanyşygy üçin ffmpeg tmix bilen garyşdyryň.
5. Her bir ses effektini onuň başlangyç sesi däl-de, ölçenen iň ýokary derejesi wakanyň üstünde durar ýaly ýerleşdiriň. Effektleri sazyň aşagynda sessiz saklaň. Gaty ses -14 LUFS-a çenli.
6. Doly renderden öň 20 ýa-da ondan köp kadr barlaň. Bulaşyk, üst-üste düşýän ýa-da okamak kyn bolan ähli zatlary düzediň.

Hiç haçan preserve-3d elementinde açyklygy ýa-da süzgüç goýmaň, sebäbi ol tekizlenýär we iki ýüzi hem görünýär. Onuň ýerine onuň örtügini solup goýuň. Deň kesişler üçin elementleriň ýerleşýän ýerlerini iş wagtynda ölçäň. Diňe täjirçilik maksatly ulanmaga rugsat berýän aýdym-sazlary we ses effektlerini ulanyň.

Menden maglumatlary soraň, soňra islendik kod ýazmazdan öň, ritm torundaky her bir wagty görkezýän storyboard görkeziň.

Ask me for: the product name and a one-line promise, 3 to 5 UI moments to show, one accent color, 10 to 20 real vertical clips I own, and a royalty-free song with a clear drop (e.g. Mixkit, free for commercial use).

High-end minimal. One idea per shot, lots of empty space, one accent color, one clean sans (Geist or Inter) with tight tracking. Masked type reveals, match cuts, one smooth camera language. Real footage only, never placeholder cards. No full stops in on-screen text.
Banned: shockwave rings, particle bursts, RGB split, camera shake, lens flares, neon glows, grid floors, flashing backgrounds, bouncy easing.

10 bars at 120 BPM, 2 seconds each.
Bar 1: the hook lands word by word on the beats.
Bar 2: one hook word morphs into the product UI. A cursor types and clicks.
The drop: a circle opens out of the button into a dark scene.
Then one move per bar: a wall of real clips with a scan line and 3 winners, the key output as big type, a 3D carousel of real videos with floor reflections and a motion-blurred whip onto one hero clip, the hero in a phone next to a panel that flips into results, big stats on push cuts, a 3-word ticker, a logo reveal, a fade to black.

1. One HTML file at 1920x1080. Every style is computed from time inside
http://
window.seek(t): no CSS animations, no timers, no state between frames.
2. Real video: extract clips to 30fps JPEG sequences with ffmpeg and swap img sources per frame. seek awaits the image decodes.
3. Analyze the song with numpy: tempo, beat grid, energy per bar, the drop. Calibrate the grid to the real kick hits. Every cut sits on a downbeat, every UI hit on a beat.
4. Render with Playwright: 3 subframes per frame at t minus, at, and plus 1/240s, then blend with ffmpeg tmix for real motion blur at 60fps.
5. Place each sound effect so its measured peak, not its file start, lands on the event. Keep the effects quiet under the music. Loudnorm to -14 LUFS.
6. Probe 20 or more frames before the full render. Fix anything cluttered, overlapping or hard to read.

Never set opacity or filter on a preserve-3d element, because it flattens and both faces show. Fade its wrapper instead. Measure element positions at runtime for match cuts. Only use music and sound effects whose license allows commercial use.

Ask me for the inputs, then show me a storyboard with every timing on the beat grid before you write any code.

Sorag şu ýerden alyndy poçta @twoclipping.