Keletso ea showreel

Pontšo ea moralo oa motsamao oa bobeli oa 15 e pakang hore u moqapi oa motsamao oa maemo a lefats'e. Khopolo-taba: khetho ea hau (mohlala, "enke e fetoha mofuta e fetoha meralo ea meaho"). Itlame ho eona 'me u e rehe lebitso moleng o le mong pele u qala. Setšoantšo se seng le se seng se etsoa ho tsoa ho se fetileng: libopeho, mofuta le 'mala li fetoha sebaka se latelang ho e-na le ho seha kapa ho fifala.
Sebopeho se le seng sa mongolo (Geist, Inter kapa sefahleho se matla sa pontsho ho tsoa ho Google Fonts), phalete ya mebala e meraro e sa feteng e meraro hammoho le botsho le bosweu, puo e le nngwe e tsitsitseng ya khamera.
Bontša sebaka: mofuta oa kinetic, ho fetola sebopeho, motsotso oa 2D-ho-3D, motsotso oa data kapa UI, le sehlooho sa qetello. Fana ka karolo e 'ngoe le e 'ngoe ea nako ka ho lekana.
E thibetsoe: ho phatloha ha likaroloana, ho benya, ho phatloha ha lense, ho sisinyeha ha khamera, ho arohana ha RGB, ho falla ha cross, gradients tse tloaelehileng, ho tlola butle, ho nka nako e fetang halofo ea motsotsoana, ntho leha e le efe e shebahalang joaloka template.

120 BPM, ho na le ho etsahalang mothating o mong le o mong.
Bare ya pele: sehokelo. Ebe mokhoa o le mong ka bare, e nngwe le e nngwe e phalla ho ya ho qetela. Bare ya ho qetela e felletseng: motsotso o matla ka ho fetisisa. Bare ya ho qetela ya halofo: sehlooho sa qetello, mme foreimi ya ho qetela e tshwana le ya pele kahoo e potoloha.

1. Faele e le 'ngoe HTML ho 1920x1080. Setaele se seng le se seng se baloa ho tloha nakong ka hare ho window.seek(t): ha ho na litšoantšo CSS, ha ho na li-timers, ha ho na boemo bo tsamaisoang lipakeng tsa liforeimi.
2. Sebelisa mokhoa oa selemo le oa ho fokotsa nako o ngotsoeng e le mesebetsi ea nako. Ho fifala ho latela lebelo le tataiso metsamaong e potlakileng.
3. Ngola molumo ka khoutu ka Web Audio API (OfflineAudioContext): ho raha morethetho o mong le o mong, ho nyoloha ho ya bareng ya ho qetela e felletseng, ho otla phetohong e nngwe le e nngwe ya sebaka. E fetole ho WAV.
4. Render ka Playwright ka lebelo la 60fps, diforeimi tse nyane tse 3 ka foreimi di kopantswe le ffmpeg tmix bakeng sa ho fifala ha motsamao, ebe o hlakola modumo.
5. Pele o etsa tlhahiso e felletseng, etsa foreimi e le 'ngoe ka morethetho 'me u e shebe. Lokisa ntho efe kapa efe e sa tsitsang, e seng morethetho, e kopaneng kapa e thata ho e bala.

Mpolelle mohopolo 'me u bontše boto ea lipale ea morethetho ka morethetho, ebe u e haha ntle le ho mpotsa letho le leng. Mphe MP4 ea ho qetela.

A 15-second motion design showreel that proves you are a world-class motion designer. Concept: your pick (e.g. "ink becomes type becomes architecture"). Commit to it and name it in one line before you start. Every shot is made out of the previous one: shapes, type and color transform into the next scene instead of cutting or fading.
One typeface (Geist, Inter or a bold display face from Google Fonts), a palette of at most three colors plus black and white, one consistent camera language.
Show range: kinetic type, shape morphing, a 2D-to-3D moment, a data or UI moment, and an end title. Give each one an equal share of the time.
Banned: particle bursts, glows, lens flares, camera shake, RGB split, crossfades, generic gradients, bouncy easing, holds longer than half a second, anything that looks like a template.

120 BPM, something happens on every beat.
First bar: hook. Then one technique per bar, each flowing out of the last. Last full bar: the strongest moment. Final half bar: end title, and the final frame matches the first so it loops.

1. One HTML file at 1920x1080. Every style is computed from time inside window.seek(t): no CSS animations, no timers, no state carried between frames.
2. Use spring and exponential easing written as functions of time. Blur follows speed and direction on fast moves.
3. Write a soundtrack in code with the Web Audio API (OfflineAudioContext): a kick on every beat, a riser into the last full bar, a hit on each scene change. Render it to WAV.
4. Render with Playwright at 60fps, 3 subframes per frame blended with ffmpeg tmix for motion blur, then mux the audio.
5. Before the full render, render one frame per beat and look at them. Fix anything cluttered, off the beat, overlapping or hard to read.

Tell me the concept and show a beat-by-beat storyboard, then build it without asking me anything else. Give me the final MP4.