Faiga o gaioiga o togi moli

Fesili mai mo: se fa'ailoga puupuu mo le ki amata, se upu toa e tasi, se pasene mo le kalafi, le tusitusiga mo le kata mulimuli, se lanu fa'apitoa e tasi, ma se pese e manino lona fati.

O se ata tifaga mamanu gaioiga 2D i le 16:9. Faaaoga se tapoleni paʻepaʻe mafanafana, talaaga e toetoe lava a uliuli, lolomi mataʻina ma se teuteuga moli susulu e tasi. O le togitogi moli e fesoʻotaʻi ai vaaiga uma: e amata i le UI, avea ma togitogi i luga o se mataʻitusi, tusia se kalafi o le spring, tuputupu aʻe i se foliga ma toe foʻi mai i le kata faaiʻu. O le cursor e faʻaalia ai le kiliki o le amataga e pei o se mea moni. Tausia le gaioiga ma le pulea lelei, faʻatasi ai ma ni nai mea e sili atu i le spring ma leai se taimi e mate ai.
Fa'asa: ata pu'e o lo'o iai oloa, fa'asolosolo malie, pupula, pa o vaega laiti, suiga fa'afuase'i ma gaioiga e le feso'ota'i ma se elemene o lo'o i luga o le lau.

Pe tusa ma le 15 sekone, faatasi ai ma se suiga vaaia i taimi uma lava e taina ai.
Tatala: e kiliki e le cursor le ki lanu moli i tafatafa o le "Reduce Motion". E punou mata'itusi ma agai i le tulaga se'ia o'o ina na'o le "Motion" e totoe, fa'atasi ai ma le togi lanu moli i luga a'e o le "i".
Punavai: e oso ese le togi mai le upu ma pa'ū i luga o se kalafi. O lona ala e tusia ai se tali o le punavai, e sili atu i le sini ma tumau i tafatafa o se fa'ailoga "+22%".
Foliga: e oso le togitogi i luga o se laina, tupu aʻe i se liʻo moli ma faʻatumu ai le faʻavaa. E feliuliuaʻi se sikuea uliuli lapotopoto i totonu, ona faʻaloaloa lea e pei o se laulau. E faʻapuʻupuʻu le vaaiga i se togitogi moli e tasi i luga o le uliuli.
Ituaiga: upu e pei o le "SPRINGS", "EASING", "KINETIC TYPE", "3D" ma le "SOUND" e faataamilo i le togitogi. O le li'o o le ituaiga e tatala atu i se fanua o togitogi laiti.
Fa'aali: e fa'alautele le vaega o le halftone ma liliu i le uliuli, ma fa'aali mai ai le kata mulimuli: " Opus 5.5 ", " Motion designer." ma le "0 keyframes".
Toe fo'i: e toe fo'i le togitogi moli i tua i le afa leo, kalafi ma fesuia'i. Fa'afetaui le fa'avaa mulimuli i le fa'avaa muamua ina ia manino lelei le fa'asologa o le vitio.

1. Tasi le faila HTML, 1920x1080 i le 60fps. Fa'atatau ata uma mai le taimi i totonu o le seek(t): leai ni suiga CSS, taimi po'o se tulaga o lo'o feavea'i i le va o fa'avaa.
2. Faaaoga ni spring tapuni mo le ki, le togitogi osooso ma le kalafi. Tusi le kalafi mai le galuega tauave lava lea e tasi o le spring e fa'agaoioi ai le togitogi.
3. Fa'aolaola mata'itusi ta'itasi mo le suiga o le "Fa'aitiitia le Gaioiga" i le "Gaioiga". Taofi le togi moli e pipii i le "i" se'ia amata ona oso.
4. Fai le li'o moli, fa'ata'amilomilo fa'atafafā ma fa'atulaga tulaga eseese o le foliga lava e tasi. Ia fa'atumauina lona tulaga ma le gaioiga i taimi uma e fa'aliliu ai.
5. Tuu upu o loo fealua’i solo i luga o se ala faataamilo, ona faase’e lea o latou mataitusi i fafo e tuu atu ai le faavaa i le grid halftone.
6. Tusi le halftone e pei o se fa'asologa o togitogi e tutusa o latou lapopo'a ma le togitogi lanu moli. Tu'u ia tupu a'e i tala atu o pito o le fa'avaa a'o le'i fa'aalia le kata fa'ai'u.
7. Fa'afetaui le kiliki, tu'u'ūina o togi, tumutumuga o le kalafi, suiga o foliga ma le ulutala mulimuli i pao fuaina. Fa'aali le tasi fa'avaa i le pao e siaki ai le saoasaoa a'o le'i fa'asalalau atoa.

E tatau ona mulimulita'i le kalafa ma le togitogi i le gaioiga tutusa a leai o le a foliga pepelo le spring. Ia tutusa le fa'ailoga moli i vaaiga ta'itasi. Tu'u ese'ese taimi mo tusitusiga e alu ese ma tusitusiga e ulufale mai ina ia 'aua ne'i fe'avea'i mata'itusi. A fa'atumuina le lau i se foliga, fa'ateleina i tulimanu uma e fa. Fa'afetaui le cursor, togitogi ma le typography i le fa'avaa muamua ma le fa'avaa mulimuli e 'alo ai mai se loop stutter.

Fesili mai mo ni fa'amatalaga, ona fa'aali mai lea ia te a'u le fa'afanua o le ta'aloga ma ata e fa (toggle, graph, kinetic type, end card) a'o le'i faia le vitio atoa.

Ask me for: a short label for the opening toggle, one hero word, a percentage for the graph, the text for the final card, one accent color, and a track with a clear beat.

A 2D motion design film in 16:9. Use a warm off-white canvas, near-black backgrounds, bold typography and one vivid orange accent. The orange dot connects every scene: it starts in the UI, becomes the dot over a letter, traces a spring graph, grows into a shape and returns on the end card. A cursor makes the opening click feel real. Keep the motion sharp and controlled, with small spring overshoots and no dead time.
Banned: stock footage, gradients, glows, particle bursts, random transitions and motion that isn't connected to an element already on screen.

Around 15 seconds, with a visual change on every major beat.
Open: a cursor clicks the orange toggle beside "Reduce Motion". The letters bend and move into place until only "Motion" remains, with the orange dot above the "i".
Spring: the dot jumps away from the word and lands on a graph. Its path draws a spring response, overshoots the target and settles beside a "+22%" callout.
Shape: the dot shoots across a line, grows into an orange circle and fills the frame. A black rounded square rotates inside it, then stretches into a pill. The scene contracts to a single orange dot on black.
Type: words like "SPRINGS", "EASING", "KINETIC TYPE", "3D" and "SOUND" orbit the dot. The circle of type opens out into a field of tiny dots.
Reveal: the halftone field expands and flips to black, revealing the final card: "Opus 5.5", "Motion designer." and "0 keyframes".
Return: the orange dot moves back through the halftone, graph and toggle. Match the final frame to the first so the video loops cleanly.

1. One HTML file, 1920x1080 at 60fps. Compute every visual from time inside seek(t): no CSS transitions, timers or state carried between frames.
2. Use closed-form springs for the toggle, bouncing dot and graph. Draw the graph from the same spring function that moves the dot.
3. Animate letters individually for the "Reduce Motion" to "Motion" transformation. Keep the orange dot attached to the "i" until it begins its jump.
4. Make the orange circle, rotating square and pill different states of the same shape. Preserve its position and motion through each transformation.
5. Place the orbiting words along a circular path, then move their letters outward to hand the frame over to the halftone grid.
6. Draw the halftone as a grid of dots whose sizes respond to the orange dot. Let it grow past the frame edges before revealing the end card.
7. Sync the click, dot landing, graph peak, shape changes and final title to measured beats. Render one frame per beat to check the pacing before the full export.

The graph and dot must follow the same motion or the spring will feel fake. Keep the orange accent consistent across every scene. Give outgoing and incoming text separate timing so letters don't overlap. When a shape fills the screen, scale it past all four corners. Match the cursor, dot and typography in the first and last frames to avoid a loop stutter.

Ask me for the inputs, then show me the beat map and four stills (toggle, graph, kinetic type, end card) before building the full video.

Fa'amatalaga na aumai mai pou @ultimaxbt.