Tallan samar da tallan UGC

Tambaye ni: sunan samfurin da alƙawarin layi ɗaya, lokutan UI 3 zuwa 5 don nunawa, launin lafazi ɗaya, ainihin shirye-shiryen tsaye 10 zuwa 20 da na mallaka, da waƙa mara sarauta tare da faɗuwa bayyananne (misali Mixkit, kyauta don amfanin kasuwanci).

Mafi ƙarancin inganci. Ra'ayi ɗaya a kowane hoto, sarari mai yawa, launin lafazi ɗaya, sans mai tsabta ɗaya (Geist ko Inter) tare da bin diddigi mai tsauri. Nau'in da aka rufe yana bayyana, yanke daidaito, yaren kyamara mai santsi ɗaya. Hotunan gaske kawai, ba katunan riƙe wuri ba. Babu tsayawa a cikin rubutun allo.
An hana: zoben girgiza, fashewar barbashi, rabuwar RGB, girgiza kyamara, walƙiyar ruwan tabarau, hasken neon, benaye masu walƙiya, yanayin walƙiya, sassauƙan walƙiya.

Sanduna 10 a 120 BPM, daƙiƙa 2 kowanne.
Sanduna ta 1: ƙugiya tana sauka kalma bayan kalma a kan bugun.
Sanduna ta 2: kalma ɗaya ta ƙulla ta canza zuwa UI na samfurin. Siginar na'ura tana rubutawa da dannawa.
Faɗuwar: da'ira tana buɗewa daga maɓallin zuwa wani yanayi mai duhu.
Sai motsi ɗaya a kowace sanda: bangon bidiyo na gaske tare da layin scanning da nasara 3, maɓallin fitarwa a matsayin babban nau'in, carousel na bidiyo na gaske tare da tunani a ƙasa da bulala mai motsi a kan faifan jarumi ɗaya, jarumi a cikin waya kusa da kwamitin da ke juyawa zuwa sakamako, manyan ƙididdiga akan yanke turawa, alamar kalmomi 3, bayyana tambari, da shuɗewa zuwa baƙi.

1. Fayil ɗaya HTML a 1920x1080. Kowane salo ana ƙididdige shi daga lokaci zuwa lokaci.
http://
window.seek(t): babu zane-zanen CSS, babu masu ƙidayar lokaci, babu yanayi tsakanin firam.
2. Bidiyo na gaske: cire shirye-shiryen bidiyo zuwa jerin JPEG na 30fps tare da ffmpeg kuma canza tushen img a kowane firam. nema yana jiran hoton ya canza.
3. Yi nazarin waƙar da numpy: tempo, beat grid, energy per bar, da drop. Daidaita grid zuwa ainihin bugun bugun. Kowane yanke yana kan ƙasa, kowane UI yana kan bugun bugun.
4. Yi wasa da Playwright: ƙananan firam 3 a kowane firam a t minus, at, da ƙari 1/240s, sannan a haɗa da ffmpeg tmix don ainihin blur na motsi a 60fps.
5. Sanya kowane tasirin sauti don kololuwar sautinsa da aka auna, ba fayil ɗinsa ba, ta sauka a taron. A ajiye tasirin a shiru a ƙarƙashin waƙar. Ƙara ƙarfi zuwa -14 LUFS.
6. Bincika firam 20 ko fiye kafin cikakken zane. Gyara duk wani abu da ya yi karanci, ya yi karo da juna ko kuma yana da wahalar karantawa.

Kada a taɓa sanya haske ko tacewa a kan wani abu mai kiyayewa-3d, domin yana lanƙwasa kuma fuskoki biyu suna bayyana. A shafa na'urar a madadin haka. A auna matsayin abubuwa a lokacin aiki don yanke daidaito. Yi amfani da kiɗa da tasirin sauti waɗanda lasisin su ya ba da damar amfani da su ta kasuwanci kawai.

Tambaye ni abubuwan da aka bayar, sannan ka nuna min allon labarai wanda ke nuna kowane lokaci a kan grid kafin ka rubuta kowace lamba.

Ask me for: the product name and a one-line promise, 3 to 5 UI moments to show, one accent color, 10 to 20 real vertical clips I own, and a royalty-free song with a clear drop (e.g. Mixkit, free for commercial use).

High-end minimal. One idea per shot, lots of empty space, one accent color, one clean sans (Geist or Inter) with tight tracking. Masked type reveals, match cuts, one smooth camera language. Real footage only, never placeholder cards. No full stops in on-screen text.
Banned: shockwave rings, particle bursts, RGB split, camera shake, lens flares, neon glows, grid floors, flashing backgrounds, bouncy easing.

10 bars at 120 BPM, 2 seconds each.
Bar 1: the hook lands word by word on the beats.
Bar 2: one hook word morphs into the product UI. A cursor types and clicks.
The drop: a circle opens out of the button into a dark scene.
Then one move per bar: a wall of real clips with a scan line and 3 winners, the key output as big type, a 3D carousel of real videos with floor reflections and a motion-blurred whip onto one hero clip, the hero in a phone next to a panel that flips into results, big stats on push cuts, a 3-word ticker, a logo reveal, a fade to black.

1. One HTML file at 1920x1080. Every style is computed from time inside
http://
window.seek(t): no CSS animations, no timers, no state between frames.
2. Real video: extract clips to 30fps JPEG sequences with ffmpeg and swap img sources per frame. seek awaits the image decodes.
3. Analyze the song with numpy: tempo, beat grid, energy per bar, the drop. Calibrate the grid to the real kick hits. Every cut sits on a downbeat, every UI hit on a beat.
4. Render with Playwright: 3 subframes per frame at t minus, at, and plus 1/240s, then blend with ffmpeg tmix for real motion blur at 60fps.
5. Place each sound effect so its measured peak, not its file start, lands on the event. Keep the effects quiet under the music. Loudnorm to -14 LUFS.
6. Probe 20 or more frames before the full render. Fix anything cluttered, overlapping or hard to read.

Never set opacity or filter on a preserve-3d element, because it flattens and both faces show. Fade its wrapper instead. Measure element positions at runtime for match cuts. Only use music and sound effects whose license allows commercial use.

Ask me for the inputs, then show me a storyboard with every timing on the beat grid before you write any code.

An ɗauko umarni daga rubutu @twoclipping.