Saitawa: Tsarin motsi na digo mai launin ruwan lemu

Tambaye ni: ɗan gajeren lakabi don maɓallin buɗewa, kalmar gwarzo ɗaya, kashi na jadawalin, rubutun katin ƙarshe, launin lafazi ɗaya, da waƙa mai bugun haske.

Fim ɗin ƙirar motsi na 2D a cikin 16:9. Yi amfani da zane mai ɗumi mai launin fari, bango kusa da baƙi, rubutun rubutu mai ƙarfi da lafazin lemu ɗaya mai haske. Digon lemu yana haɗa kowane yanayi: yana farawa a cikin UI, ya zama digo akan harafi, yana bin diddigin jadawalin bazara, yana girma zuwa siffa kuma yana dawowa akan katin ƙarshe. Siginar sigina tana sa dannawa ta buɗe ta ji kamar gaske. Kiyaye motsi mai kaifi da sarrafawa, tare da ƙananan harbe-harben bazara kuma babu lokacin mutuwa.
An haramta: hotunan da aka ɗauka, yanayin haske, walƙiya, fashewar barbashi, sauye-sauyen bazuwar da motsi wanda ba a haɗa shi da wani abu da ya riga ya bayyana a allon ba.

Kimanin daƙiƙa 15, tare da canjin gani akan kowace babbar bugun.
Buɗewa: siginar tana danna maɓallin orange kusa da "Rage Motsi". Haruffan suna lanƙwasawa kuma suna motsawa zuwa wurin har sai "Motion" kawai ya rage, tare da digon orange a saman "i".
Bazara: digon ya yi tsalle daga kalmar ya sauka a kan jadawali. Hanyarsa tana zana martanin bazara, ta wuce abin da aka nufa sannan ta zauna kusa da kiran "+22%".
Siffa: digon yana harbi a kan layi, ya girma ya zama da'irar lemu kuma ya cika firam ɗin. Baƙar fata mai zagaye murabba'i yana juyawa a ciki, sannan ya miƙe ya zama kwaya. Wurin ya yi kama da digo ɗaya na lemu a kan baƙi.
Rubuta: kalmomi kamar "SPRINGS", "EASING", "KINETIC TYPE", "3D" da "SOUND" suna zagaye digon. Da'irar nau'in tana buɗewa zuwa filin ƙananan digo.
Bayyana: filin halftone yana faɗaɗa kuma yana juyawa zuwa baƙi, yana bayyana katin ƙarshe: " Opus 5.5 ", "Motion designer." da "0 keyframes".
Dawowa: digon lemu yana komawa baya ta cikin rabin sautin, jadawali da juyawa. Haɗa firam ɗin ƙarshe da na farko don haka bidiyon ya yi kyau.

1. Fayil ɗin HTML guda ɗaya, 1920x1080 a 60fps. Lissafa kowane gani daga lokaci a cikin neman(t): babu sauye-sauyen CSS, masu ƙidayar lokaci ko yanayin da ake ɗauka tsakanin firam ɗin.
2. Yi amfani da maɓuɓɓugan ruwa masu siffar rufe don juyawa, tsalle-tsalle da jadawali. Zana jadawalin daga aikin bazara iri ɗaya da ke motsa digo.
3. Sanya haruffan rayayye daban-daban don canjin "Rage Motsi" zuwa "Motion". A riƙe digon lemu a haɗe da "i" har sai ya fara tsalle.
4. Yi da'irar lemu, a juya murabba'i da kwaya daban-daban masu siffar iri ɗaya. A kiyaye matsayinsa da motsinsa ta kowace canji.
5. Sanya kalmomin da ke zagaye a kan hanyar da'ira, sannan a motsa haruffansu waje don mika firam ɗin zuwa grid ɗin rabin sautin.
6. Zana rabin sautin a matsayin grid na ɗigogi waɗanda girmansu ya yi daidai da digon orange. Bari ya girma ta wuce gefunan firam ɗin kafin ya bayyana katin ƙarshe.
7. Daidaita dannawa, saukowa da maki, kololuwar zane, canje-canjen siffofi da taken ƙarshe zuwa bugun da aka auna. Yi firam ɗaya a kowane bugun don duba saurin kafin cikakken fitarwa.

Dole ne jadawalin da digo su bi irin wannan motsi ko kuma bazarar ta yi kama da ta bogi. A kiyaye lafazin lemu a kowane yanayi. A ba da lokaci daban-daban ga rubutu mai fita da mai shigowa don haruffa kada su yi karo. Idan siffa ta cika allon, a auna ta ta wuce dukkan kusurwoyi huɗu. A daidaita siginar, digo da rubutu a cikin firam ɗin farko da na ƙarshe don guje wa yin motsi na madauki.

Tambaye ni abubuwan da aka shigar, sannan ka nuna min taswirar bugun da kuma hotunan bidiyo guda huɗu (juggle, graph, kinetic type, end card) kafin ka gina cikakken bidiyon.

Ask me for: a short label for the opening toggle, one hero word, a percentage for the graph, the text for the final card, one accent color, and a track with a clear beat.

A 2D motion design film in 16:9. Use a warm off-white canvas, near-black backgrounds, bold typography and one vivid orange accent. The orange dot connects every scene: it starts in the UI, becomes the dot over a letter, traces a spring graph, grows into a shape and returns on the end card. A cursor makes the opening click feel real. Keep the motion sharp and controlled, with small spring overshoots and no dead time.
Banned: stock footage, gradients, glows, particle bursts, random transitions and motion that isn't connected to an element already on screen.

Around 15 seconds, with a visual change on every major beat.
Open: a cursor clicks the orange toggle beside "Reduce Motion". The letters bend and move into place until only "Motion" remains, with the orange dot above the "i".
Spring: the dot jumps away from the word and lands on a graph. Its path draws a spring response, overshoots the target and settles beside a "+22%" callout.
Shape: the dot shoots across a line, grows into an orange circle and fills the frame. A black rounded square rotates inside it, then stretches into a pill. The scene contracts to a single orange dot on black.
Type: words like "SPRINGS", "EASING", "KINETIC TYPE", "3D" and "SOUND" orbit the dot. The circle of type opens out into a field of tiny dots.
Reveal: the halftone field expands and flips to black, revealing the final card: "Opus 5.5", "Motion designer." and "0 keyframes".
Return: the orange dot moves back through the halftone, graph and toggle. Match the final frame to the first so the video loops cleanly.

1. One HTML file, 1920x1080 at 60fps. Compute every visual from time inside seek(t): no CSS transitions, timers or state carried between frames.
2. Use closed-form springs for the toggle, bouncing dot and graph. Draw the graph from the same spring function that moves the dot.
3. Animate letters individually for the "Reduce Motion" to "Motion" transformation. Keep the orange dot attached to the "i" until it begins its jump.
4. Make the orange circle, rotating square and pill different states of the same shape. Preserve its position and motion through each transformation.
5. Place the orbiting words along a circular path, then move their letters outward to hand the frame over to the halftone grid.
6. Draw the halftone as a grid of dots whose sizes respond to the orange dot. Let it grow past the frame edges before revealing the end card.
7. Sync the click, dot landing, graph peak, shape changes and final title to measured beats. Render one frame per beat to check the pacing before the full export.

The graph and dot must follow the same motion or the spring will feel fake. Keep the orange accent consistent across every scene. Give outgoing and incoming text separate timing so letters don't overlap. When a shape fills the screen, scale it past all four corners. Match the cursor, dot and typography in the first and last frames to avoid a loop stutter.

Ask me for the inputs, then show me the beat map and four stills (toggle, graph, kinetic type, end card) before building the full video.

An ɗauko umarni daga rubutu @ultimaxbt.