Saitawa: Talla a shafin Prompt Motion

Tambaye ni: URL ɗin gallery (tsoho www.prompt-motion.com/), shigarwa ɗaya wanda aka yi masa tambaya.
Ana nuna shi akan allo, kuma waƙa mara royalty kusan 120 BPM tare da faɗuwa mai kyau (misali Mixkit).

Talla ta daƙiƙa 23 16:9 don hotunan bidiyon da Claude ya yi, wanda aka gina daga shafin yanar gizon da kansa:
ainihin kan sa, ainihin jerin samfoti na kunna ta atomatik, ainihin shafin shiga da kuma saurin sa.
Yi amfani da fatar shafin: shafi na kusa da fari, ƙwayoyin baƙaƙe, rubutun UI guda ɗaya (Geist), da Geist Mono don rubuta saƙo nan take.
Lakabi ɗaya (ja-orange #F0442C), wanda aka yi amfani da shi kawai don mai haskakawa, halo na siginar da kuma digo a kan URL ɗin.
Kyamarar da ke ci gaba da aiki a kan wani "duniya" ɗaya. Ba a taɓa yin motsi biyu a lokaci guda ba.
Kowane bidiyo da ke kan allo yana ɗauke da @handle na wanda ya ƙirƙira shi, daidai yadda shafin yanar gizon ya nuna.
An Hana: maɓallin "Ƙirƙira" ko duk wani fasali da shafin yanar gizon ba shi da shi, ƙirƙiro lambobi, ko kuma an fassara su
Layukan tag, fade akan komai, katunan gilashi, gradients, nau'in bouncy, dead holds.

120 BPM, bugun 46.
b0–2: firam 0 ainihin faifai ne, mai cike da jini. Kyamarar tana ja baya har sai ta zama ta farko kawai.
Katin da ke shafin farko na shafin. Kanun, sannan rabin farko na layin, ya sauka akan b1.
b2–9: riƙe shafin kai tsaye: kanun labarai tare da ginshiƙi mai shafi 3 na samfoti na kunnawa.
b9–13: grid ɗin yana birgima, sannan kyamarar ta yi bulala cikin tayal ɗaya har sai ta cika da jini.
b13–16: kiɗan ya faɗi. Faifan bidiyo guda uku masu cikakken haske daga gallery, ɗaya ya doke kowannensu, yankewa mai ƙarfi,
kowannensu yana da guntu mai duhu a cikin wurin da aka amince.
b16–21: zagaye na ƙarshe ya koma cikin tayal ɗinsa (yankewar daidaitawa). Siginar sigina mai halo mai ƙarfi
yana girgiza tayal da dannawa.
b21–26: cewa tayal ɗin ya yi fure a shafin shigarwarsa: bidiyon da ke hagu; marubuci, take,
Samfura / Tari / An buga kuma an nuna tambayar a hannun dama.
b26–32: kyamarar tana tura 1.5× cikin alamar yayin da bidiyon ke zamewa. Mai haskaka lafazi mai ƙarfi
yana share jumla ɗaya. Siginar tana danna Kwafi, wanda ke juyawa zuwa "An kwafi".
b32–46: shafin yana zamewa daga hagu. Kwayar "An Kwafi" tana ɗagawa, sake yiwa lakabi zuwa URL ɗin kuma tana matsar da shi.
Sai kuma " Prompt Motion " da kuma rabin filin alamar, da kuma layin tayal na gaske
Yana tashi a dama. Firam na ƙarshe shine fosta: tayal biyu cikakke, dukkan hannaye suna bayyane.

1. Remotion, 1920x1080, 30 fps. Kowace alama tana rayuwa a cikin timeline.ts (a cikin bugun) kuma kowace igiya a cikin copy.ts.
Wuraren ba su da lambobin sihiri.
2. Da farko, goge shafin: layin tag, maƙallan hannu, avatars, samfoti na bidiyo na MP4 da cikakken ƙuduri, da kuma ɗaya
Amsawar shigarwa. Ka faɗi duka a fili.
3. Shirya gallery sau ɗaya a cikin haɗin duniya. Fitar da kyamarar kamar (focus x, focus y,
(sikelin sikelin log). Radius na kusurwar tayal yana zuwa 0 yayin da tayal ya kai cikakken jini, don haka
ja-baya, bulala-cikin da kuma bayan da aka yanke a wasa duk daidai ne.
4. Tile ɗin da ke kunnawa kafin fashewar yana amfani da fayil ɗin cikakken-res iri ɗaya tare da farawa na offsetFrom,
don haka bulala ta faɗi a kan firam ɗin fashewar farko.
5. MP4 ɗin da aka nuna a sama ba sa yin madauki da kyau, kuma da yawa suna ɗauke da yankewa masu tauri. A kunna scdet akan kowane bidiyo.
Tagogi kawai ba tare da yankewa a cikinsu ba, tare da firam 12 na narke a wurin ɗinki, sannan a yi ta juyawa
kowane matakin tayal don haka tayal maƙwabta ba sa taɓa canzawa a kan firam ɗaya.
6. Yi amfani da siginar kwamfuta ɗaya da ke kan matsayin maɓallin kai tsaye, saboda kyamarar tana ci gaba da rarrafe
a lokacin riƙewa.
7. Daidaita hanyar zuwa 120 BPM tare da faɗuwarta a kan fashewar. Sanya SFX ta hanyar ƙololuwar da aka auna.
Cika ramukan da ke kan hanyar da aka bi da bugun da aka juya zuwa cikin bugun. Haɗa zuwa −14 LUFS.
8. Yi rikodin bidiyo a kowane yanke kafin cikakken aikin. Yi rikodin bidiyo na QA don lokacin da aka daskare da kuma ɗaukar hotuna ɗaya.
Sai a sa wani sabon mai suka wanda bai gina shi ba ya sake duba fasalin, sannan ya gyara abin da ya samu.

Ainihin faifan bidiyo na gallery suna ɗauke da nasu HUDs, siginar kwamfuta da yankewa. Ajiye overlay (riƙe guntu, siginar mu)
Ka guji su, kuma kada ka sanya wani babban abin rufe fuska a ko'ina inda firam ɗin zai ji daɗi.
Idan launin shafin ya yi daidai da asalin faifan, tayal ɗin zai ɓace; a ba tayal ɗin layin gashi na 1px.
A kan tura kyamara, duba firam ɗin ƙarshe: layukan kan kai da meta na iya zamewa cikin madaurin gefen.

Ask me for: the gallery URL (default www.prompt-motion.com/), one entry whose prompt
gets shown on screen, and a royalty-free track around 120 BPM with a clear drop (e.g. Mixkit).

A 23-second 16:9 promo for a gallery of Claude-made motion videos, built only from the site itself:
its real header, its real grid of autoplaying previews, its real entry page and prompt.
Use the site's skin: near-white page, black pills, one UI font (Geist), and Geist Mono for prompt text.
One accent (red-orange #F0442C), used only for the highlighter, the cursor halo and the dot on the URL.
One continuous camera over a single "world" layer. Never two camera moves at once.
Every clip on screen carries its creator's @handle, exactly as the site shows it.
Banned: a "Generate" button or any feature the site doesn't have, invented numbers, paraphrased
taglines, fades on everything, glass cards, gradients, bouncy type, dead holds.

120 BPM, 46 beats.
b0–2: frame 0 is one real reel, full-bleed. The camera pulls back until it is just the first
  card on the site's home page. The header, then the tagline's first half, land on b1.
b2–9: hold on the live page: header plus a 3-column masonry of playing previews.
b9–13: the grid scrolls, then the camera whips into one tile until it is full-bleed.
b13–16: the music drops. Three full-res reels from the gallery, one beat each, hard cuts,
  each with a dark handle chip inside the safe area.
b16–21: the last reel shrinks back into its own tile (a match cut). A cursor with an accent halo
  hovers a tile and clicks.
b21–26: that tile blooms into its entry page: the video on the left; author, title,
  Model / Stack / Posted and the prompt on the right.
b26–32: the camera pushes 1.5× into the prompt while the video slides out. A solid accent highlighter
  sweeps one phrase. The cursor presses Copy, which turns into "Copied".
b32–46: the page slides off left. The "Copied" pill lifts, relabels to the URL and docks.
  Then "Prompt Motion" and both verbatim halves of the tagline land, and a rail of real tiles
  rises on the right. The last frame is the poster: two whole tiles, both handles visible.

1. Remotion, 1920x1080, 30 fps. Every cue lives in timeline.ts (in beats) and every string in copy.ts.
   Scenes contain no magic numbers.
2. Scrape the site first: tagline, handles, avatars, preview MP4s and full-res videos, plus one
   entry's prompt. Quote all of it verbatim.
3. Lay out the gallery once in world coordinates. Drive the camera as (focus x, focus y,
   log-scale) tracks. Tile corner radius goes to 0 as a tile reaches full-bleed, so the
   pull-back, the whip-in and the match-cut back are all exact.
4. A tile that plays before the burst uses the same full-res file with an offset startFrom,
   so the whip lands on the burst's first frame.
5. The preview MP4s don't loop cleanly, and many contain hard cuts. Run scdet on every clip.
   Loop only windows with no cut inside them, with a 12-frame dissolve at the seam, and stagger
   each tile's phase so neighbouring tiles never change on the same frame.
6. Use one cursor that homes on the live button position, because the camera keeps creeping
   during holds.
7. Conform the track to 120 BPM with its drop on the burst. Place SFX by their measured peaks.
   Fill the track's own breaks with reversed whooshes into the hits. Mix to −14 LUFS.
8. Render stills at every cut before a full render. Run QA for frozen time and one-frame snaps.
   Then have a fresh critic who didn't build it review the render, and fix what it finds.

Real gallery clips carry their own HUDs, cursors and cuts. Keep overlays (handle chips, our cursor)
clear of them, and don't put a cut-heavy clip anywhere the frame should feel calm.
If the page color matches a clip's background, the tile disappears; give tiles a 1px hairline.
On a camera push, check the last frame: the header and meta rows can drift into the edge bands.

An ɗauko umarni daga rubutu @antonio_kodheli.