Iarrtas airson taisbeanadh-taisbeanaidh

Taisbeanadh dealbhaidh gluasad 15 diog a dhearbhas gur e dealbhaiche gluasad den chiad ìre a th’ annad. Bun-bheachd: do roghainn (m.e. "bidh inc a’ fàs gu bhith na sheòrsa a’ fàs gu bhith na ailtireachd"). Geall ris agus ainmich e ann an aon loidhne mus tòisich thu. Tha gach sealladh air a dhèanamh a-mach às an fhear roimhe: bidh cumaidhean, seòrsa agus dath ag atharrachadh a-steach don ath shealladh an àite a bhith air an gearradh no air an seargadh.
Aon chruth-clò (Geist, Inter no aghaidh taisbeanaidh dàna bho Google Fonts), paileid de aig a’ char as motha trì dathan a bharrachd air dubh is geal, aon chànan camara cunbhalach.
Seall raon: seòrsa cineatach, cruth-atharrachadh, mionaid 2D-gu-3D, mionaid dàta no UI, agus tiotal crìochnachaidh. Thoir cuibhreann co-ionnan den ùine do gach fear.
Toirmisgte: spreadhaidhean mìrean, deàrrsadh, lasraichean lionsa, crathadh camara, sgoltadh RGB, seargadh-tarsainn, caiseadan coitcheann, lasachadh preabach, cumail nas fhaide na leth diog, rud sam bith a tha coltach ri teamplaid.

120 BPM, tha rudeigin a’ tachairt air gach buille.
A’ chiad bhàr: dubhan. An uairsin aon dòigh-obrach gach bàr, gach fear a’ sruthadh a-mach às an fhear mu dheireadh. Am bàr slàn mu dheireadh: am mionaid as làidire. An leth-bhàr mu dheireadh: tiotal crìochnachaidh, agus am frèam mu dheireadh a’ freagairt ris a’ chiad fhear gus am bi e a’ lùbadh.

1. Aon fhaidhle HTML aig 1920x1080. Tha gach stoidhle air a thomhas bhon ùine taobh a-staigh window.seek(t): gun bheòthachaidhean CSS, gun timers, gun staid air a ghiùlan eadar frèamaichean.
2. Cleachd earrach agus lasachadh eas-chruthach air an sgrìobhadh mar ghnìomhan ùine. Bidh blur a’ leantainn astar agus stiùireadh air gluasadan luath.
3. Sgrìobh clàr-fuaim ann an còd leis an Web Audio API (OfflineAudioContext): breab air gach buille, àrdachadh a-steach don bhàr slàn mu dheireadh, bualadh air gach atharrachadh seallaidh. Render e gu WAV.
4. Dèan riochdachadh le Playwright aig 60fps, 3 fo-fhrèamaichean gach frèam air am measgachadh le ffmpeg tmix airson doilleireachd gluasad, agus an uairsin cuir measgachadh air an fhuaim.
5. Mus tèid an làn-render a dhèanamh, dèan aon fhrèam gach buille agus thoir sùil orra. Ceartaich rud sam bith a tha mì-shoilleir, far a’ bhuille, a’ dol thairis air a chèile no duilich a leughadh.

Innis dhomh a’ bhun-bheachd agus seall clàr-sgeulachd buille air bhuille, agus an uairsin tog e gun dad sam bith eile iarraidh orm. Thoir dhomh an MP4 mu dheireadh.

A 15-second motion design showreel that proves you are a world-class motion designer. Concept: your pick (e.g. "ink becomes type becomes architecture"). Commit to it and name it in one line before you start. Every shot is made out of the previous one: shapes, type and color transform into the next scene instead of cutting or fading.
One typeface (Geist, Inter or a bold display face from Google Fonts), a palette of at most three colors plus black and white, one consistent camera language.
Show range: kinetic type, shape morphing, a 2D-to-3D moment, a data or UI moment, and an end title. Give each one an equal share of the time.
Banned: particle bursts, glows, lens flares, camera shake, RGB split, crossfades, generic gradients, bouncy easing, holds longer than half a second, anything that looks like a template.

120 BPM, something happens on every beat.
First bar: hook. Then one technique per bar, each flowing out of the last. Last full bar: the strongest moment. Final half bar: end title, and the final frame matches the first so it loops.

1. One HTML file at 1920x1080. Every style is computed from time inside window.seek(t): no CSS animations, no timers, no state carried between frames.
2. Use spring and exponential easing written as functions of time. Blur follows speed and direction on fast moves.
3. Write a soundtrack in code with the Web Audio API (OfflineAudioContext): a kick on every beat, a riser into the last full bar, a hit on each scene change. Render it to WAV.
4. Render with Playwright at 60fps, 3 subframes per frame blended with ffmpeg tmix for motion blur, then mux the audio.
5. Before the full render, render one frame per beat and look at them. Fix anything cluttered, off the beat, overlapping or hard to read.

Tell me the concept and show a beat-by-beat storyboard, then build it without asking me anything else. Give me the final MP4.